Η ΙΣΤΟΡΙΑ ΤΟΥ ΤΟΙΧΟΥ
ΜΟΥΝΤΖΟΥΡΕΣ, Πλακάτ, Πανό, Αφίσες, Εξώφυλλα, ΜΝΗΜΕΣ, Πρωτοσέλιδα, Σκίτσα, Φέιγ Βολάν, GRAFFITI. Συνθήματα, Ιδέες, Χιούμορ, Ανοησίες, Ύβρεις, Χυδαιότητες... Το περιεχόμενο των αναρτήσεων δεν εκφράζουν οπωσδήποτε τον διαχειριστή του blog.
Κυριακή 10 Μαΐου 2026
by Alice Pasquini in Berlin
Alice Pasquini’s Berlin piece brings human-scale intimacy into a city known for oversized statements. Her figure work softens the wall without sentimentalizing it. It’s a reminder that Berlin street art has always included tenderness alongside confrontation.
Σάββατο 9 Μαΐου 2026
Cat waiting for mouse — by LIZ ART BERLIN in... Berlin
LIZ ART BERLIN’s cat series proves how repetition can build urban folklore. By placing the same character across different surfaces, she creates a citywide visual game that rewards attention and local knowledge. This is classic Berlin street logic: low-tech presence, high memorability.
by Urben in Berlin (2014)
Urben’s Berlin work carries the hand-made character emphasis that defined much of early-2010s street output. The tone is accessible, slightly mischievous, and rooted in wall-level communication rather than spectacle. That sensibility remains central to Berlin’s street identity.
Παρασκευή 8 Μαΐου 2026
Heart in the Dark - by ICY and SOT in Iran
A single shaft of light lands on the girl while the red heart seems to sag at the end of its cord. It feels like innocence trying to hold onto love in a room already crowded with silence, damage, and loss.
by Herakut in Berlin
Herakut’s Berlin presence is historically significant for blending narrative figuration, emotional text, and mural scale. Their work helped define a generation where Berlin street art could be both intimate and monumental. It remains one of the city’s most recognizable visual signatures.
Πέμπτη 7 Μαΐου 2026
The violence we inherit - y ICY and SOT in Iran
Here a child raises a gun, while the shadow turns the act into something larger, theatrical, and deeply unsettling. The piece feels less like a moment of action and more like a lesson being absorbed from the world around her.
The Photographer - by Blesea in Normandy, France
Blesea turned a World War II bunker into a giant camera held by a young girl, and the geometry of the concrete does half the magic. It feels less like a mural pasted onto a structure and more like the bunker was secretly waiting to become this image all along.
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