by Guashe in Berlin

Guashe’s piece reflects a period when bold color and character narratives were rapidly expanding across Berlin walls. It demonstrates how international styles were absorbed into a distinctly local urban context. Berlin didn’t just import aesthetics - it recontextualized them.

ACAB - ΦΕΝΑ

ΠΑΤΡΑ ΤΡΕΛΑ ΦΙΛΕ

Urban Pulse - by Swed Oner in Paris, France

Swed Oner brings excellent tension between character design and wall texture. The portrait stays clean, while the surface grit gives it bite - exactly the kind of push-pull that makes a wall feel both polished and alive.

ΟΥΤΕ ΘΕΟΙ ΟΥΤΕ ΠΑΤΡΙΔΕΣ

ΑΥΤΟΟΡΓΑΝΩΣΗ...

by Angel in Berlin

Angel’s Berlin entry reflects the prolific publishing era when SAU documented smaller but culturally revealing city interventions. These pieces matter because they show the everyday texture of Berlin’s scene, not only its headline murals. Street culture is built in accumulation.

EL TIGRE

Σ' ΑΓΑΠΩ ΑΚΟΜΑ... (εξομολογήσεις!...) 😂

Fake Views - by SMOK in Antwerpen, Belgium

A clever trompe-l’oeil mural where a painted woman holding scissors appears to trim a real tree growing just in front of the wall. SMOK is a master at making the flat surface interact with the 3D world around it.

ΤΗΕ ECONOMIST «Ο ΚΟΣΜΟΣ ΤΟ 2026»

ΜΟΝΟΣ

Elegant Defiance — By Fin DAC in Fitzroy, Australia

Fin DAC’s signature formula is all here: restrained portrait realism interrupted by controlled bursts of paint and ornament. Set in Fitzroy - part of Melbourne’s globally recognized mural scene documented by Street Art Cities - the piece reads like a fashion portrait re-engineered for the street. His long-running “Urban Aesthetics” approach is also well summarized in this artist profile, and you can feel that philosophy in how beauty is used as impact, not decoration.

SOGA - ΚΑΜΙΑ ΜΟΝΗ

LOL !!!

Colibri des Caraïbes by Curtis Hylton in Fort-de-France, Martinique, France

ΓΑΥΡΟΙ ΜΟΥΝΙΑ

ΣΚΑΤΑ...

The Giant Cat by CHEONE in Nerviano, Italy

KIDS ARE BACK ?